Write mode differs from Touch and Latch in that all enabled parameters are overwritten as soon as playback starts. This is probably the most useful mode of all, as most of the time when writing volume automation we want to be in Touch mode, while for most other parameters we will want to be in Latch. In Touch/Latch mode the volume fader works in Touch mode, while all remaining parameters work in Latch mode. Any parameters that were not adjusted during playback will retain their original positions, and will behave as if in Read mode. Latch mode works similarly to Touch, writing automation to parameters as they are adjusted, but instead of reverting to the previous position when released, the parameter will remain in its new position when released and will continue to write over any previous automation until you press stop. Importantly, only the parameters being adjusted will be written, with all other parameters following the existing automation as if in Read mode. The parameter(s) being adjusted will revert to their previous position as soon as they are released, enabling you to perform a quick adjustment for a section of the song and then let go of the parameter to revert to the previous setting. Touch mode will only write automation to a parameter when that parameter is being adjusted. The remaining modes: Touch, Latch, Touch/Latch and Write each provide different rules for writing automation. If automation on a setting already exists and you adjust the parameter further, this adjustment will be lost the next time you hit play, as the existing automation overrides the current parameter position. In this mode, the track will follow all automation that has been written to the channel, but no further automation will be written. All parameters on a track assigned as automation Off will become static. In this mode no parameter changes are written as automation at all, and any automation that is already in the project is ignored.
The first two of the standard automation modes, Off and Read, are self-explanatory.
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